A Few Good Men 1992
One of Amanda's current Letterboxd top four, which she hasn't touched in four or five years.
The Big Picture · Discussion · Review
June 23, 2025/ 102 min/ Sean Fennessy · Amanda Dobbins
The 800th episode is an all-listener mailbag — L.A. theaters, a film-class syllabus, movies watched with mortified parents, most-rewatched titles, one-star grudges — before reviews of Pixar's 'Elio' and the live-action 'How to Train Your Dragon.'
189 films across 15 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Housekeeping: Letterboxd is backthe show reactivated @TheBigPick
One of Amanda's current Letterboxd top four, which she hasn't touched in four or five years.
Also in the top four.
The Sofia Coppola film, third of the four.
The fourth — or possibly Working Girl; she wasn't sure.
Her profile icon is Melanie Griffith here, which is what threw her.
Is 2025 shaping up to be a great movie year?John's question — how do you know a good slate when you see one
Both name it the likeliest crowd-pleaser of the summer so far; full review promised for Friday.
A standout for Sean, a smart zombie movie that reached people.
Not a perfect movie, but a durable discussion point that's in the culture.
With 28 Years Later, one of the two films squarely in Sean's zone that also found an audience.
A surprise favorite — the MRI-machine clip was when Sean knew it had the juice.
Minor Soderbergh, but Amanda's guy.
Received as minor Wes Anderson, which they'd expected.
In the batch of movies they had a good feeling about going in.
Also filed under 'at least interesting to me.'
A letdown for many; Sean lands mixed.
Both were seeing it that night — one of July's big question marks.
A hard-to-predict July tentpole for a studio (Warner Bros.) whose slate Sean quietly rates.
The other July Marvel unknown with a lot riding on it.
'Plus dinosaurs' — the other July wild card.
The fall movie they're most confident will rock, box office aside.
Half of the 2023 exception — the year everyone planned vacations around Barbenheimer.
The other half; Nolan as the single biggest director on the planet.
Nolan's next — don't plan your vacation yet.
The rare 2023 standout that had actually come out by this point in the calendar.
One of the 2023 titles that hadn't been released yet at midyear — a fall awards movie.
Same — proof that 2023's best arrived in the back half.
Made 26 years earlier; the smart-zombie forebear.
The best movie theaters in L.A.Reagan's question, west to east
One of the Friend-of-the-Fest introductions Sean has done at the Aero.
Another Aero introduction.
Cited as a first-run title screening on film at the Vista.
Sean saw it at the Vista, alone in an enormous room.
He's booked to see it in 70mm on his birthday at the Egyptian.
Watched at Vidiots on Father's Day — an absolute ball.
The most uncomfortable movie you watched with a parentCampbell's question
Campbell's example: his dad shot across the room to cover his eyes.
The worse-when-you're-older version of the same horror.
Amanda's Aunt Betty covered her eyes at the pool dream sequence.
The one she might actually be thinking of — the perfume-counter pool scene.
Amanda's foundational memory: the Kelly Preston sex scene, seated next to her mother.
Sean's topper — his dad kept the whole family watching the Joe Eszterhas thriller far longer than he should have.
Sharon Stone's prior film, invoked for context.
Sean fired it up for Knox; the PG-13 sex scene drew 'are they doing ballet at home?'
The movies that floored you this centuryJoshua's question — Sean leaned on debuts, no expectations going in
Knocked him out despite his up-and-down history with Nolan; premiered at Venice in 2000, eligible in 2001.
Alex Garland's directorial debut and one of the first A24 movies, before that was a category.
A huge one he's returned to many times.
The French cannibal film he really, really loved.
Martin McDonagh's directorial debut.
Banksy in his heyday; Sean liked how it was structured and made.
Hooting and hollering in the theater — 'is this really happening?'
Amanda's pick: shifting in her seat with excitement, then bursting out laughing at the ending.
Seen in college at the Nugget; an instant quote machine.
Seen together at the Chinese premiere; the room breathing as one at the end.
Seen in a New York blizzard — 'wow, what is this?'
In the ArcLight Dome, on the largest screen possible; Amanda stands by the ending.
The ending gave her thoughts, but the middle two hours were really good.
An intro-to-film syllabus, one per decadeNewton's question — horror, coming-of-age, romance
Horror, the '70s anchor.
The Rob Zombie remake, offered to show a shift in transgression.
Part of the post-Scream wave.
Jennifer Love Hewitt as the real lead of the original.
The new reboot with Madelyn Cline; a '90s-horror canon watch is planned with CR.
Coming-of-age starting point.
Both hosts' first thought for the '70s.
A rare pre-'60s film made about a child that adults would watch.
The John Hughes '80s pick.
The girl version of the '90s coming-of-age movie.
The sports version.
A great shout from Amanda.
Could slot in the '80s too.
The clear 2000s pick.
Filed to the 2000s, but really any Sofia — Lost in Translation, Marie Antoinette.
Probably the best of the 2010s.
Romance starting point.
A '50s Billy Wilder option.
The Wilder pick they'd really want, if it counts for the '60s.
A '60s epic-romance option.
Offered despite Amanda's anti-Audrey-Hepburn stance.
The '70s love story.
One of the greats.
The 2000s signature, set in the '60s.
Amanda's 2010s romance pick.
Sean's counter.
Where Madelyn Cline played the young girlfriend, which Amanda had memory-holed.
The movies you've seen the mostKevin's question — the great personality test
Top of Sean's off-the-dome VHS-era list.
Watched over and over after turning 16 and getting into cinema.
First seen at 5, then on repeat as he got older.
Sean's modern dorm-room movie — get drunk, play cards, wait for Barry Keoghan.
One of Amanda's two Nora Ephrons at the top of her list.
True even before she introduced it to her son.
The Charles Shyer / Nancy Meyers version.
She had the VHS.
Your biggest blind spotsTaylor's question — glaring omissions
Taylor's premise — a Sean blind spot.
First on Sean's Letterboxd watchlist despite being a McTiernan fan; a glitch in the matrix.
The other unseen McTiernan he's heard is absolutely crazy.
Amanda has seen this, but not The Exorcist or Texas Chain Saw.
A Julie Andrews head, but she's never seen the Blake Edwards musical.
Seen, but never on a big screen — she bought 70mm Festival tickets to fix that.
Phones and talkers at the moviesGrayson's question about rude audiences
At the Academy Museum, with Bennett Miller seated nearby, the people behind Sean narrated the whole film ('Brad Pitt is so sexy').
The 'Chicken Jockey' chaos — a movie made for 10-year-olds to be insane about.
Sean's deadpan counter: 'you were in Minecraft, look at La Strada.'
Star ratings and the one-star hall of shameTucker asks Sean; Andrew asks Amanda about Romy Mars
Probably a one-star for Sean — a deeply cynical, corrosive thing.
Half a star; one of the last pre-pandemic movies, and Amanda was furious.
One star — the original, not World Tour.
One star for the Ryan Murphy musical.
A very angry review; the lone star is for Kevin Costner's performance.
A one-star Amanda insists is at least 1.5 — the Pepsi can, come on.
One star. Put it on the podcast, not the newspaper.
Where Sofia Coppola's daughter Romy Mars appeared; Amanda is pro her 'A-Lister' single.
The one popcorn movie to recommendMike sees a movie or two a year — which yet-to-open 2025 title
Sean's gut answer — the Avatar movies are an incredible visual feast in a theater.
Is Tubi good for movies?Cordero's question about ad-supported streaming
Public domain now and free on Tubi; Sean says access beats scarcity, even with a Tide ad in the middle. Amanda won't watch anything with commercials.
The directors who'd make you a starAiden and Georgia — ascending, and an original kids' movie
Sean's example of a film that took Margot Robbie from A- to A+, even as a third lead.
Georgia's kids-movie question, answered through the arc of Spielberg's view of childhood.
The next step in that arc.
Sean would watch Denis Villeneuve's version, but it's not really his lane.
‘Elio’Pixar's alien-abduction adventure — its worst opening ever
Directed by three (Domee Shi, Madeline Sharafian, Adrian Molina); the biggest bomb in Pixar history. Sean found it bottom-tier and boring; Amanda thought it fine and moving through a kid's eyes. A late America Ferrera mother role was rewritten into Zoe Saldana's aunt — you can feel the mid-production shift.
Domee Shi's prior film.
Adrian Molina co-wrote it; he left Elio mid-production to direct Coco 2, Pixar's last original mega-sensation.
'E.T. and Star Wars exist' — Amanda's argument for just showing kids those instead; the creature design echoes the cantina, not quite as good.
Part of the post-E.T. boy-sci-fi wave Elio descends from.
In Sean's lineage of Disney/Pixar 'failed boy movies' that never quite pull people in.
The massive outlier that complicates any 'Pixar crisis' theory.
One of the huge event-title outliers, alongside Lilo & Stitch and Inside Out 2.
'Lion King 2' — a quiet ~$700M hit.
Another original that struggled in theaters.
A very short theatrical shelf life before COVID hit.
Huge, but during COVID and driven by the virality of 'We Don't Talk About Bruno.'
One of four Disney non-sequels since Moana that made only $255M domestic combined.
Cited with Barbie as the unexploited-IP benchmark audiences now want.
'How do we get Sinners for kids movies?' — back a generational talent and a great idea, don't chase a formula.
The next Pixar original; its lizard-emoji stinger reportedly played after Elio.
Further out on the slate.
The sequel Molina left Elio to make.
‘How to Train Your Dragon’Universal's live-action remake — and the case against it
Dean DeBlois's live-action remake: nearly the same script, 35 minutes longer, strong effects, Gerard Butler the best part. Sean calls it creatively empty but understands the money — already ~$365M. Nico Parker's Astrid gets a slightly stronger role.
The animated original, also co-directed by DeBlois; Amanda watched it with her daughter, who wanted more of Astrid.
The remake's night-time Viking pillaging felt too scary for kids in the way The Northman did.
The animated Disney film Knox loves — 'my friend Sir Hiss.'
The other kids' option Sean will take Knox to if he has to.
Just added to the 70mm Festival — Sean tried to buy tickets mid-podcast.
Floated as a 'kids movie' bit.
One of the two big winter kids' events.
The other.
Celine Song's desert-island pick over Children of Men; Sean still hasn't seen it.
Celine Song's stated favorite, set aside for the desert-island framing.
Not films filtered out: TV, games, ads
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