Eternal Sunshine of the Spotless Mind 2004
His last film with Jim Carrey; he calls Carrey's role there a turning point that the new melancholy of Kidding builds on.
The Big Picture · Interview
September 7, 2018/ 24 min/ Sean Fennessey
Sean Fennessey talks to Michel Gondry about moving to TV, reuniting with Jim Carrey, and why he shows the seams of how things are made.
7 films across 1 segment.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
In conversation
His last film with Jim Carrey; he calls Carrey's role there a turning point that the new melancholy of Kidding builds on.
Named as a signature Gondrian work while discussing his handmade, show-the-process aesthetic.
The concert documentary cited as proof he chases magic across formats.
His animated Noam Chomsky conversation, another format he's stretched into.
The Mr. Rogers documentary; Gondry saw it only after arriving in the U.S. and told Carrey not to watch Rogers tapes so Mr. Pickles wouldn't become mimicry.
His pick for the last great thing he's seen; he thanks Spike Lee for showing D.W. Griffith as the racist he was.
The film's opening shot that BlacKkKlansman fixes on and that Sean and Gondry dwell on.
Also mentioned raised along the way
Not films filtered out: TV, games, ads
TV KiddingFlight of the Conchords
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