Dazed and Confused 1993
Rob's pick. Wooderson, on screen maybe ten minutes: 'I get older, they stay the same age.' Instant stardom, and a charming predator the movie can't bear to make pathetic.
The Big Picture · Discussion · Review
April 2, 2019/ 50 min/ Sean Fennessey · Amanda Dobbins · Rob Harvilla
Sean Fennessey, Amanda Dobbins, and Rob Harvilla trace the McConaissance: each host's breakthrough, each host's personal pinnacle, the rom-com decade and recent bricks in between, and The Beach Bum as the role truest to him.
33 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Breakthroughswhere McConaughey arrived
Rob's pick. Wooderson, on screen maybe ten minutes: 'I get older, they stay the same age.' Instant stardom, and a charming predator the movie can't bear to make pathetic.
Sean's pick. The first time he's in the center of the frame the whole time, playing modern-day Atticus Finch in a ludicrous Grisham thriller he single-handedly holds up. The five-minute 'now imagine she's white' closing.
Amanda's pick. Fully greased up and leaning into the voice, a supporting mentor role where the bongo guy finally clicks into the public consciousness and the McConaissance takes off.
Quite bad, per Sean.
A small, very charming role.
A smaller but crucial part.
Back to the courtroom a year later, another racially complicated only-in-the-'90s movie.
Personal pinnacleseach host's peak McConaughey (True Detective, Rob's actual pick, is TV)
Sean's pinnacle. A purposefully evil Friedkin/Tracy Letts Texas tale of murder and incest; not his most rewatchable, but the choice that signals him taking chances again.
Amanda's pinnacle. The most successful of the rom-coms and a real reference point for the genre after it, even if it's a sour, eggshell-walking rewatch. Rob saw it five days ago.
The start of the turn in 2011 back toward interesting filmmakers; airport-fiction legal thriller, and exactly his soliloquizer register.
A ludicrous, everyone-going-for-it totem of a broken society, per Sean.
One of his best minor-key comic roles, as the agent, from the fallow period.
Mark Hanna, the chest-beating 'fugazi' speech that sets the agenda for DiCaprio's Belfort.
The Oscar. None of the three love it; Rob calls it the quintessential I-want-an-Oscar movie, Green Book by other means, a year after Magic Mike.
The rom-com decade and the recent bricksthe fallow stretch, then the good-on-paper misses
Beloved by a certain segment; J.Lo and McConaughey both doing things far from what they do now.
Where, with Two for the Money, things start to go south.
Amanda's example of the tough 2005-2009 leading-man rom-coms, with Fool's Gold and Ghosts of Girlfriends Past.
A tough 2005-2009 leading-man rom-com, not good.
A big Nolan hit Sean isn't a fan of.
A Gus Van Sant debacle set in Japan's suicide forest, later infamous from a Logan Paul video.
A forgotten, similarly white-savior movie.
Sean found it kind of interesting; it came and went.
The long-awaited Stephen King adaptation. Terrible.
An all-time January curio with Anne Hathaway.
The Beach BumHarmony Korine, the role truest to him
A leisurely 90-minute movie about a burnout poet married to a wealthy Miami woman: aspirational hedonism, Wooderson taken to his logical conclusion. Snoop Dogg, Isla Fisher, Zac Efron, Jimmy Buffett, Martin Lawrence, and a scene-stealing Jonah Hill. Rob saw it alone at 9:50 a.m.
Also mentioned raised along the way
In passing The Pelican BriefThe FirmThe ClientPretty WomanMaid in ManhattanMy Big Fat Greek WeddingDeliver Us from EvaA Star Is BornGreen Book
Not films filtered out: TV, games, ads
TV True Detective
Video games Grand Theft Auto: Vice City
Web Logan Paul suicide-forest video