The Full Picture

The Big Picture · Review · Interview

‘Marty Supreme’ Is the Moment, With Josh Safdie!

December 24, 2025/ 139 min/ Sean Fennessey · Amanda Dobbins

Sean Fennessey and Amanda Dobbins on 'Marty Supreme,' Josh Safdie's Timothée Chalamet ping-pong picture, then Sean's long conversation with Safdie about how he made it.

3 films across 2 segments.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

‘Marty Supreme’Sean and Amanda on the year's ping-pong picture

Marty Supreme poster

Marty Supreme 2025

Josh Safdie's first solo feature (co-written and co-edited with Ronald Bronstein, shot by Darius Khondji, scored by Daniel Lopatin) casts Timothée Chalamet as Marty Mauser, a fast-talking 1950s New York table-tennis hustler loosely based on ping-pong legend Marty Reisman. Both hosts love it (it was No. 2 on Amanda's movies-of-the-year list) and read it as an Uncut Gems companion that, by going period, turns the Safdie anxiety into something more fable-like and open-hearted: a movie about ambition, confidence, and growing up that ends on the birth of Marty's son. They single out Chalamet (Pacino/Ad-Rock energy), a shockingly good Kevin O'Leary as pen magnate Milton, Gwyneth Paltrow as faded movie star Kay Stone, Odessa A'zion as Rachel, and Abel Ferrara, Fran Drescher, Tyler the Creator, and Penn Jillette in the deep bench. The 1950s setting runs on 1980s needle drops: Forever Young over the opening credits, Everybody Wants to Rule the World over the ending. They walk through the box-office stakes for an expensive A24 original (tracking 36-57 domestic) and its Oscar odds: Best Picture and Chalamet likely, score a must, directing a long shot in a crowded field.

Josh Safdie

Marty Supreme poster
Josh Safdie on

Marty Supreme 2025

Safdie's first time on the show since Uncut Gems in 2019. He traces the film to a dime-store book his wife found (Marty Reisman's 'Confessions of a Table Tennis Champion and Hustler') and to his own uncle Johnny, who played at Lawrence's, the first Black-owned business in the Times Square district. He talks through the postmodern logic of scoring a 1950s film with 1980s music (the '80s were already doing the '50s), Daniel Lopatin's orchestral-plus-synthetic score, and his casting-as-iconography method: real histories drafted into the roles (Kevin O'Leary as an 'iconic asshole,' Abel Ferrara as a New York street heavy, Tyler the Creator improvising period slang). He describes the ending (meeting your child) as the emotional core, and a cut Tears for Fears-concert coda that survives only as the 'Everybody Wants to Rule the World' drop.

The Borrower poster
Josh Safdie on

The Borrower 1991

Safdie's last great thing: John McNaughton's sci-fi horror about an alien sentenced to live on Earth as a human, whose borrowed heads keep exploding, forcing it to rip off and swap new ones. He watched it the night before to unwind, prizing its skid-row realism and its kinship with The Thing and The Hidden (all three, he notes, have the creature take a dog's head).

Also mentioned raised along the way

The Safdies' filmography Uncut GemsGood TimeDaddy LonglegsLenny CookeIf I Had Legs I'd Kick You

Comparisons and inspirations HudThe King of ComedyA Place in the SunThe Apprenticeship of Duddy KravitzA League of Their OwnCall Me by Your NameFrances HaPuss in BootsLook Who's TalkingBack to the FutureNew York StoriesDelicatessenForrest Gump

Abel Ferrara's films King of New YorkMs. 45The FuneralBody Snatchers

Josh's late-night rabbit hole Wild ThingsHenry: Portrait of a Serial KillerThe ThingThe HiddenMen in Black

This awards season One Battle After AnotherSinnersWeaponsF1Regretting YouA Complete UnknownMickey 17EddingtonDuneWonkaChallengersThere Will Be BloodThe Master

Not films filtered out: TV, games, ads

TV Shark Tank

Ads Amazon PrimeGoogle AI Professional CertificateColgate Optic WhiteXfinityMinions