The Commuter 2018
The new one, set almost entirely on a train. Neeson's commuter has to find one passenger carrying dangerous information; his years of routine turn out to be the superpower.
The Big Picture · Interview
January 12, 2018/ 22 min/ Sean Fennessey
Sean Fennessey talks with director Jaume Collet-Serra about The Commuter, his fourth film with Liam Neeson, and why he keeps building thrillers inside confined spaces.
5 films across 1 segment.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
In conversation
The new one, set almost entirely on a train. Neeson's commuter has to find one passenger carrying dangerous information; his years of routine turn out to be the superpower.
The earlier Neeson-on-a-vehicle thriller, set on a plane. Collet-Serra contrasts the plane's tension with the train, where he could stage scenes other passengers never notice.
His shark thriller, which he calls the hardest of these confined-space shoots.
Not films filtered out: TV, games, ads
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