Midsommar 2019
One of two films this year he's given four stars; seen twice, likely a third.
The Big Picture · Discussion
August 13, 2019/ 79 min/ Sean Fennessey · Bobby Wagner
With Amanda Dobbins away, Fennessey and producer Bobby Wagner work through a listener mailbag: 2019 top fives, a Midsommar spoiler chat, the best acting performances ever, and where the movie business is headed.
161 films across 17 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Top five of the year so farnot in any order
One of two films this year he's given four stars; seen twice, likely a third.
The other four-star pick.
Joanna Hogg; growing in his estimation.
Hogg making a sequel in the age of IP, which he finds funny.
The Scorsese Dylan doc; inhaled it.
Netflix doc on a shuttered plant reopened by a Chinese firm.
Lulu Wang; likely Best Original Screenplay nominee.
Walked back three-and-a-half stars; near-lock top ten.
Wild Rose and Jessie Buckley
Fine, uplifting; more star-making for Buckley than Oscar buzz.
Well-received earlier Buckley role.
Renée Zellweger Judy Garland biopic; Buckley features.
Called "The Voyage of Doctor Dolittle"; troubled Robert Downey Jr. tentpole with a voice-cast that's mostly animals.
The Rex Harrison 60s musical it reimagines.
Also from Dolittle writer-director Stephen Gaghan.
Under-the-radar Best Picture hopefuls
Benh Zeitlin's long-in-development follow-up; whereabouts unknown.
Zeitlin's debut.
Trey Edward Shults musical with Lucas Hedges and Sterling K. Brown.
Shults's debut.
Chloé Zhao, Frances McDormand; from a non-fiction book.
Zhao.
Zhao's forthcoming Marvel film.
Soderbergh's Panama Papers movie; going straight to streaming.
The energy he hopes Waves has.
Honey Boy and Shia LaBeouf
LaBeouf's autobiographical script; he plays his own father. Fennessey hasn't seen it.
Where you'd recognize young-Otis actor Noah Jupe.
Cited as formative LaBeouf kid-star work.
The Best Picture history projectthe 1981 field, as a microcosm
The serious British drama that won.
Named to show what the Oscars left out that year.
Midsommar, spoilers on
Reads the final 20-30 minutes as grotesque comedy; the closing smile fits a film about a toxic relationship.
Ari Aster's debut.
Robert Eggers; Fennessey seeing it that day.
The one Eggers film he'd seen.
Albert Brooks, cited by Aster as an influence.
Early Albert Brooks.
Adam Driver, best movie star working
Amazon CIA drama; a claustrophobic corrective to Zero Dark Thirty.
Baumbach; the one he's most interested in, pitched as his Kramer vs. Kramer.
Jarmusch zombie comedy; Driver very funny.
His 2018 Oscar nomination.
Gilliam; came and went.
The Marriage Story comparison.
Turn-your-brain-off comfort flicks
Elmore Leonard as satire; Travolta right after Pulp Fiction. His pick that's getting lost to time.
The cooler, stylish strain of Elmore Leonard.
Bobby's dumb-high-school-boy comfort watch.
One of his wife's "kitchen movies."
David Lean; another kitchen movie.
Guilty pleasures (a category he rejects)
The kind of dumb action he admires without guilt.
Exhibit A for movies having their optimistic moment.
Evil-Superman origin; nasty, exploitative, and he still likes it.
A "guilty pleasure" at NYU that isn't one: a perfect movie.
Most anticipated 2020 movies
Edgar Wright chasing a theatrical event, like Baby Driver.
Called "Newark"; the Sopranos prequel about Tony's father.
David Chase's underrated film; compared to Euphoria's finale.
Guy Ritchie back in Snatch/Lock Stock mode; lots of handsome men in tweed.
Where you'd know Henry Golding.
del Toro's next; based on the 40s novel.
The Tyrone Power original.
Leigh Whannell, underrated genre stylist.
Alan Yang's Netflix film.
The Rewatchables white whale
The masterpiece of the 21st century; the episode he keeps trying to get made.
If Bill does this Michael Mann movie first, Fennessey is worried.
Criterion Channel picks
Powell and Pressburger; "I dare you to watch it and not be moved."
Almodóvar; prepping for Pain and Glory.
Frankenheimer; a Blu-ray he paid hard-earned money for.
Herzog; Klaus Kinski going for it.
Nicolas Roeg.
Carol Reed; his favorite film of all time.
Alec Guinness.
Joanna Hogg; brace for stillness.
Tarantino: Pitt, muses, and soundtrackssoundtracks ranked Kill Bill first
Pitt calm and even-keeled, much like Once Upon a Time.
Pitt flexing more: accent, weight loss, melancholy.
Hot-young-90s-star Pitt.
His most "respectable" turn, per Fennessey, though his least-favorite Fincher.
The Pitt performance he'd pick for a lifetime-achievement reel.
Not top-tier Tarantino, but Samuel L. Jackson is extraordinary.
His No. 1 Tarantino soundtrack for how it repurposes existing music.
The best acting performances everEnglish-language only, all cynical or dark figures
Robert Walker as pure malice, decades before Hannibal Lecter.
Nicole Kidman's fame-hungry cipher, prescient for 2019.
Pacino at the peak of his powers.
Recessed Pacino, the counterweight to Dog Day.
Philip Seymour Hoffman, his favorite actor; genuinely moving.
Where he first came upon Hoffman.
Hoffman as the best MI villain.
Hoffman as a shit-heel.
Hoffman as pure vulnerability.
Faye Dunaway's Diana Christensen, in a top-five movie for him.
Burt Lancaster.
Naomi Watts playing three parts and nailing it.
Bobby's pick: Daniel Day-Lewis "singed my eyebrows off."
Bobby's pick: Dennis Hopper yelling about beer types.
Julius Onah film in theaters; Watts gives a performance that lived up to his expectations.
The future of Sundance
An anxiety cycle dented its performance.
The overperformer everyone wants to replicate.
Paul Downs Colaizzo's film, a coming bidding-war story.
Julius Onah's savaged Netflix debut.
Onah's reset: taken to Sundance, bought by Neon, doing decent business.
What comes after the MCU
The photoreal remake as a sign of things to come, built with no location and no live actors, just technicians and voice work. The first time "uncanny valley" made sense to him.
The version people found better.
The still-rooted counterexample.
Defining the decadeand the most important movie since 1960, one per decade
If you had to pick one: the movie that changed movies and gave us the IP stranglehold.
The film people point to instead.
His 60s pick: changed a hit's violence and sexuality.
His 90s pick; still mind-blowing.
The other 90s technological leap.
His pick for the century: changed the Oscars and the box office.
In his view, part of what we're at the end of.
No movie will be bigger, inflation-adjusted.
Boots Riley; the unhinged, unsafe cinema he wants more of.
Gurinder Chadha's Springsteen film, teased for the coming week.
Also mentioned raised along the way
In passing Eyes Wide Shut
Not films filtered out: TV, games, ads
TV SuccessionChernobylFargoEven StevensGirlsWestworldEuphoriaForeverMaster of NoneParks and RecreationThe Green Hornet
Web/Podcast Number One BoysThe Ron Burgundy PodcastProject GreenlightQuentin Tarantino's Feature PresentationThe A24 PodcastThe RewatchablesThe Dave Chang Show
Ads MasterClass