A Quiet Place 2018
His third film as director, pitched as a family drama Trojan-horsed as genre. He rewrote and starred after Emily Blunt read the script on a plane and told him no one else could do it; her bathtub scene was one take.
The Big Picture · Interview
November 29, 2018/ 40 min/ Sean Fennessey
Sean Fennessey sits down with John Krasinski on writing, directing and starring in A Quiet Place, working opposite Emily Blunt, and why he came around to a sequel.
25 films across 1 segment.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
John Krasinski on 'A Quiet Place'
His third film as director, pitched as a family drama Trojan-horsed as genre. He rewrote and starred after Emily Blunt read the script on a plane and told him no one else could do it; her bathtub scene was one take.
Saw it around age 12 and 'blacked out for six years,' which is why he avoided horror for decades.
Cited alongside A Quiet Place as recent genre films doing social commentary; he's a fan of Jordan Peele's.
The goat 'blacked me out for another six years,' growing up Catholic.
The original: 'one of the best love stories I've ever seen,' that happens to involve a vampire.
His directing debut, made 'out of sheer ignorance'; cinematographer John Bailey later walked him through what could have gone wrong.
His second directing job; he took far longer in prep, refusing to move until he had the exact team and cast.
His first idea, pitched to Matt Damon and handed off to Kenneth Lonergan, 'my story,' but he'd never have made it himself.
The Boston-tattoo movie; the definition of what he connects to at the movies.
The kind of intense family-unit story he wanted A Quiet Place to be underneath the genre.
Named alongside Kramer vs. Kramer as the '70s-drama model for the film.
ILM's Scott Farrar, who designed the raptor scene, stayed on the effects for seven weeks after Krasinski led with 'I don't know.'
Farrar ran the camera for the opening imperial-ship shot on the first film.
On the sound team's résumé (from this to Malick to Avatar) before they begged to go start designing the film.
The 'tiny indie movie' Emily Blunt was shooting, with a twelve-week-old at home, while he was writing.
What he went back to watching on the plane while Blunt read the script.
His last great thing seen: a '70s movie he fell in love with; he's friendly with Bradley Cooper.
The movie he was most excited to catch up on after four months shooting in Colombia.
His favorite movie of all time; he saw a lot of it in A Star Is Born.
Not films filtered out: TV, games, ads
TV The OfficeJack Ryan
Theater HamiltonDry Powder
Podcasts The Rewatchables