Casablanca 1942
Sean's example of the Warner/TCM vault: watch this, King Kong, and Rebel Without a Cause in one night without switching services.
The Big Picture · Discussion · Interview
May 29, 2020/ 61 min/ Sean Fennessey · Bobby Wagner
Amanda's off, so Sean Fennessey walks the just-launched HBO Max movie catalog with Bobby Wagner: the TCM and Warner vault, Criterion, Studio Ghibli, the sports and music docs. He hands out pairings to start with, then talks with documentarians Kirby Dick and Amy Ziering about On the Record.
64 films across 3 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
What's actually on HBO Maxthe buckets: TCM, Warner vault, DC, Criterion, Ghibli, originals
Sean's example of the Warner/TCM vault: watch this, King Kong, and Rebel Without a Cause in one night without switching services.
Cited here as a vault title; recommended again at the end as Clint Eastwood pre-gaming before next week's 90th-birthday episode.
Part of the DC Universe catalog that lands here under the Warner umbrella.
The 'Snyder Cut,' announced for the service the week before. Sean and Amanda argue the year-out timing is free publicity, not a mistake.
The whole Studio Ghibli library arrives on streaming in the States for the first time. Sean calls this Miyazaki's best and pairs it with The Wizard of Oz; Bobby puts it first in his queue.
One of the Ghibli titles Sean hasn't seen yet and is looking forward to.
Not on the service, invoked to make the Pixar-owes-Ghibli case. John Lasseter was a big Miyazaki fan; watch Spirited Away right after this.
Among the thin slate of HBO Max originals: the new Steven Soderbergh, form still unknown.
A Point Grey / Seth Rogen picture HBO Max picked up; sounds like a period comedy.
A Melissa McCarthy comedy directed by her husband Ben Falcone, bumped from last year under the Warner banner.
Picked up out of festivals last year.
Netflix reference points for the same question: will people tune in for a streaming movie?
This week's news: the DiCaprio/Scorsese adaptation of the David Grann book is going to Apple, distributed theatrically by Paramount, the same everyone's-a-streamer strategy.
The Disney+ comparison: a deep catalog of nostalgia you have access to but don't need to watch a fourth time.
Sean's picks: where to start, with pairingsCriterion essentials, samurai, sports docs, music movies, three he's saving
The Powell and Pressburger backstage ballet tragedy. Sean just rewatched it and pairs it with Whiplash as a dynamite double feature about the cost of being great.
The Damien Chazelle / Miles Teller film, one of his favorites of the last 20 years and the modern-day companion to The Red Shoes.
Once, improbably, a member of the Criterion Collection, never reissued on Blu-ray. Sean will defend it; you know where he stands on Michael Bay.
The first Lone Wolf and Cub film, 84 minutes, a post-Kurosawa samurai movie whose shogun-executioner-and-child setup reads a lot like The Mandalorian and Baby Yoda.
Early Kubrick heist picture with Sterling Hayden. Sean's pairing for fans of Heat.
The Rewatchables touchstone that sets up the pairing with The Killing.
The Sidney Lumet / Paddy Chayefsky movie: prescient, funny, strange, lots of people yelling, which Bobby notes Sean is fond of.
Robert Altman's 70s noir with Elliott Gould. Sean floats doing a whole episode on it.
The doc that taught Sean a sports movie isn't about sports; he'd just paid for it a la carte before it hit streaming.
Raised in the sports-doc Mount Rushmore run, via a Bill Simmons podcast conversation.
'Watched it last week.' Very powerful, and otherwise an ESPN+ exclusive, now here.
Asif Kapadia's portrait of the race car driver.
Starts like a sports movie and turns into a true-crime story, increasingly the order of the day.
The great surfing hybrid documentary.
The late-90s pro-wrestling doc that pulled back the curtain; hard to be a fan after it, Sean says, but very effective.
One of the Warner musicals in the deep music-movie collection.
Among the concert films on the service.
Which Liz Hannah talked up on the Criterion Channel episode.
About Elvis's 70s comeback tour; Sean hasn't seen it since he was a kid.
All versions are here, including the Bradley Cooper / Lady Gaga one, a Big Picture Hall of Famer.
First of three lesser-known classics Sean's saving to watch, this one from Elia Kazan.
One of Robert Altman's earliest films, a pre-M*A*S*H space story with James Caan.
The George Cukor Hepburn-and-Tracy picture. Nearly all their movies are on the service.
Another Hepburn-and-Tracy title in the vault.
Covered earlier in the week; cited for the pitter-patter you find times a thousand in the Hepburn/Tracy films.
Kirby Dick and Amy Ziering on 'On the Record'
Their new documentary on abuse of power in the music industry, tethered to the Russell Simmons allegations and centered on Drew Dixon. Oprah and Harpo withdrew and Apple TV+ pulled out days before Sundance; HBO Max picked it up after critics responded strongly to the premiere.
Their earlier film on campus sexual assault. Its reputation opened doors, and it's where Ziering first crossed paths with Rose McGowan.
Their Academy Award-nominated doc on assault in the military, cited as the through-line of their organic, subject-first method.
Kirby Dick's pick for the last great thing he saw: Elio Petri's Italian film on fascism and police power, which he found staggering.
Also mentioned raised along the way
Whole franchises & filmographies on the service Harry PotterThe Lord of the RingsThe HobbitPolice AcademyGodzillaAkira KurosawaIngmar BergmanFederico Fellini
Not films filtered out: TV, games, ads
TV FriendsThe SopranosThe Fresh Prince of Bel-AirMrs. AmericaNormal PeopleThe MandalorianThe Last DanceSuccessionAdult SwimLooney Tunes
30 for 30 (ESPN series) June 17, 1994No Crossover: The Trial of Allen IversonWinning Time: Reggie Miller vs. The New York KnicksCatching Hell
Podcasts / promos Higher LearningThe WatchBinge ModeThe RewatchablesThe Bill Simmons Podcast