My Best Friend's Wedding 1997
Celine Song is reportedly writing a sequel. Amanda calls the original a sacred text and maybe her favorite Julia Roberts film; she is bracing to hate it and hoping she won't.
The Big Picture · Discussion · Review
August 1, 2025/ 74 min/ Sean Fennessey · Amanda Dobbins · Craig Horlbeck
Sean and Amanda bring in Craig Horlbeck to weigh two legacy-sequel comedies, Netflix's 'Happy Gilmore 2' and the theatrical 'The Naked Gun' reboot, and then work through why the studio comedy nearly disappeared this century. A news rundown and a summer check-in bracket the reviews.
76 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The news rundownsequels, remakes, and a lot of Aaron Sorkin casting
Celine Song is reportedly writing a sequel. Amanda calls the original a sacred text and maybe her favorite Julia Roberts film; she is bracing to hate it and hoping she won't.
Cited as evidence Song can filter a love triangle into a plain structure and get something deep out of it.
Song's second feature. Sean thinks it less successful than 'Past Lives' but more interesting to argue about; Craig admits he still hasn't seen it.
Raised as the model to avoid, the older stars ushering in a younger generation. Amanda would rather the sequel just show what happens after the wedding.
The 'what if the sequel is actually great' benchmark the table keeps joking about.
Grouped with the 'My Best Friend's Wedding' news as another beloved title from Amanda's world getting reopened.
Aaron Sorkin is reportedly writing and directing a sequel with Mikey Madison and Jeremy Allen White eyed for roles. David Fincher and Jesse Eisenberg are not attached; the table thinks Sorkin needs a directing counterweight.
Brought up to argue Eisenberg isn't above returning to a franchise: he loves close-up magic.
Bradley Cooper's new film, with Will Arnett, about a stand-up comedian. Announced as the New York Film Festival closing-night film, which makes Amanda nervous about its awards odds.
Steve McQueen's film, a recent NYFF closing-night pick that fizzled, part of why Amanda distrusts the slot.
Michael Mann's film, the other hyped NYFF closer that faded from the conversation.
The exception: a profoundly New York movie that launched from the festival and stuck.
The other Searchlight contender, premiering at TIFF; Searchlight hasn't missed a Best Picture nomination since 2017.
Cooper's directorial debut, cited alongside 'Maestro' as his push to be taken seriously.
Sean logs himself as pro-'Maestro,' a fun theatrical experience, while wondering if 'Is This Thing On' is pitched at a quieter register.
Jeremy Strong played Jerry Rubin for Sorkin here; Strong is now the reported pick to play Zuckerberg in the sequel.
Grouped with 'Chicago 7' as Sorkin-directed films that got acting nominations but the table finds flawed.
Sean's pick for the strongest of Sorkin's directorial efforts.
Held up as proof Sorkin does his best work with a strong collaborator, here Danny Boyle.
Mentioned because Jeremy Strong and Jeremy Allen White share it, so the 'Social Network' casting rumor comes with a working relationship attached.
'Happy Gilmore 2'a legacy sequel, 28 years and 30-plus minutes later
Directed by Kyle Newacheck, co-written by Adam Sandler and Tim Herlihy. Craig calls it maybe the worst movie he's ever seen, a YouTube compilation of cameos; Amanda thumbs it down as a comedy but confesses the golf-world fan service worked on her. Sean argues it's bad and weirdly honest, a meditation on death and alcoholism with Sandler's own family folded in. The most-viewed Netflix film in its opening weekend.
The 89-minute original, the most quoted comedy on the table and a foundational text for all three. Its outsider-breaks-into-golf structure is what the sequel can't reuse, so it strands Happy at the bottom again.
Sean's favorite Sandler movie, the feature that rewired his sense of what comedies could be, set against 'Happy Gilmore' as the actual breakout hit.
Cited as one of the most-watched films in Netflix history and proof Newacheck-adjacent Sandler product travels.
The sequel Sean half-remembers watching, or maybe just the trailer, while making the point about Sandler's Netflix machine.
Newacheck's Workaholics-crew movie, offered as evidence he's a proven Netflix commodity.
The reference point for the golf-outsider comedy, and the reminder that these movies were never sophisticated.
The other golf comedy about a rebel infiltrating a staid world.
Sean's counter-case: he'll happily call this cynical garbage, yet 'Happy Gilmore 2' doesn't make him angry the same way.
Held up as the Sandler that shows why Sean stays generous: the actor still chases interesting filmmakers between the paydays.
The film that starred Sandler's daughter, part of the family-business pattern the table finds notable, if not exactly a case for quality.
The summer check-ina quick scorecard before the second review
The classic summer tentpole: very fast, biggest screen possible, a throwback Brad Pitt star turn.
The one they've warmed to with distance; Sean's tentpole of the summer, with David Corenswet, Nicholas Hoult, and Rachel Brosnahan.
The surprise of the season: a Danny Boyle / Alex Garland reunion with Jodie Comer and Aaron Taylor-Johnson that had them crying, bone temple and all.
'The Naked Gun'85 minutes, in a theater, on purpose
Directed by Akiva Schaffer, with Liam Neeson and Pamela Anderson. Both hosts like it and want it to succeed; Sean wishes it were 20% funnier and warns the trailer spoiled half the jokes. Craig calls it the right way to honor IP: keep the style, write your own jokes. Danny Huston is the runaway MVP.
The 1988 original, spun off the 'Police Squad!' series with Leslie Nielsen. Sean loves it but doesn't hold it as a sacred text the way he does the Sandler stuff.
Sean saw it as a birthday movie; its pointed 'Crying Game' gag is the example of a reference that wouldn't land for a 20-year-old today.
The Zucker-Abrams-Zucker template, the joke-a-minute spoof this reboot descends from.
Grouped with 'Airplane!' as the ZAZ house style Sean was raised on and misses.
Shaffer's Lonely Island movie, cited to argue he's one of the few genuinely good comedy directors of the last 15 years. The snowman love-montage in 'The Naked Gun' is classic Lonely Island and was almost cut.
The other underrated Shaffer comedy in his corner.
The kind of hard-boiled 50s-60s procedural the spoof is straight-facing, which is why Seth MacFarlane insisted on real actors, not comedians.
The Dave Franco / Alison Brie horror film sharing the weekend Sean liked, part of the varied, healthy moviegoing slate.
In its second weekend, one leg of the spread-out box office Sean says looks like the moviegoing he remembers.
The animated sequel rounding out the weekend, Sean's Saturday plan with his daughter.
The falling-walls fake-hospital gag with Kevin Durant reads as a 'Fallout' callout, per Amanda.
The 21st-century comedy crisiswhy the studio comedy nearly vanished, plus Craig's 10 most significant of the last 25 years
On Craig's top 10; he grants it's a very 30-year-old-white-guy list.
On Craig's top 10; his measuring stick for staying power.
On Craig's top 10, and the only pure original comedy in the all-time live-action grossers. Sean remembers the opening-weekend theater as anarchy, like a Kendrick Lamar concert.
On Craig's top 10; he rewatched it recently and found the humor holds, but now sees the same jokes done free online.
On Craig's top 10.
On Craig's top 10; named as a movie you weren't 'allowed' to enjoy the same way during the sensitive years.
On Craig's top 10.
On Craig's top 10.
On Craig's top 10, and, he notes, De Niro proving a great actor can make a comedy.
The one Amanda was nervous he'd forget; saved for last.
Sean's add to widen the aperture beyond the white-guy list.
The 2020s comedy line they can actually quote ('Do you guys ever think about dying?'). Sean calls it gaming the system, huge IP elevated by talent, and still ranks it third on his Greta Gerwig list.
Floated for the list; Craig thinks its staying power hasn't held up next to the Apatow-era hits.
Loved but, they agree, didn't stick around.
Sean's personal, generational add, and one of the comedies honored in the theater's 'save the comedy' pre-roll.
The one Craig wondered about counting as a comedy; funny, but no.
Sean's loudest-ever theater; a ~$500M original comedy that belongs on the list. Its bear is now so expensive to render that the sequel and TV show are in doubt.
No. 2 on the all-time live-action comedy grossers: evidence the money now flows to IP, not original jokes.
No. 4 on that same all-time list.
No. 5 on that list.
The No. 3 all-time comedy grosser, a Chinese film that made about $840 million, the kind of hit that never enters the American conversation.
No. 6 on the all-time list, another Chinese blockbuster.
No. 7 on the all-time list.
No. 8 on the all-time list.
No. 9 on the all-time list.
No. 10 on the all-time list, another Chinese comedy.
The Jennifer Lawrence comedy Sean respects: proof she can do the thing few prestige ingénues will.
The Michael B. Jordan / Miles Teller / Zac Efron comedy dredged up as the example of a serious actor taking a comedy swing.
One of the older titles the theater's pre-roll had to reach back for to fill out the 'save the comedy' reel.
Sean's argument for why a movie still matters: make 'Sinners' and you're part of a phenomenon people never forget, unlike a refillable spoof.
Not films filtered out: TV, games, ads
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