Disclosure 2026
The new Steven Spielberg film, title unconfirmed, dated June 12, 2026. Josh O'Connor, Emily Blunt, Colman Domingo, Colin Firth, Wyatt Russell; rumored (the hosts doubt it) to be a Close Encounters quasi-sequel.
The Big Picture · Discussion · Review · Roundtable · Interview
December 12, 2025/ 146 min/ Sean Fennessey · Amanda Dobbins · Joanna Robinson
Sean, Amanda, and Joanna Robinson review Chloe Zhao's Hamnet and Kleber Mendonça Filho's The Secret Agent, then each count down ten favorite performances of the year. Closes with Sean's interview with Filho.
46 films across 6 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
News before the reviewsa Spielberg billboard and a Supergirl trailer
The new Steven Spielberg film, title unconfirmed, dated June 12, 2026. Josh O'Connor, Emily Blunt, Colman Domingo, Colin Firth, Wyatt Russell; rumored (the hosts doubt it) to be a Close Encounters quasi-sequel.
Second film in the new DCU, Craig Gillespie directing, Milly Alcock in the lead and Jason Momoa as Lobo. The read on the trailer: looks standard when it needs to look special.
HamnetChloe Zhao adapts Maggie O'Farrell
Zhao's first film since Eternals, from O'Farrell's novel about Shakespeare's family and the death of his son. The table splits: a woo-woo, tell-don't-show first 90 minutes, then a final 20 in the Globe that flattens all three of them. Jessie Buckley carries it; Paul Mescal, Noah Jupe, and Jacobi Jupe get singled out. On the Nature of Daylight on the soundtrack is called a cheat.
The Secret AgentKleber Mendonça Filho, 1977 Brazil
A 160-minute genre-mixer near the top of Sean's list, comped to One Battle After Another and to Paul Thomas Anderson. Wagner Moura's performance lands fully only once the ending recontextualizes it. Amanda didn't love the film but loves the hang and the sense of place.
An actor you have a big relationship with the warm-up round
Olivia Colman as a nun borrowing heavily from The Sound of Music. The first film Amanda took her son to in a theater.
Ethan Hawke as a composer near the end of his life, in a performance Sean says is unlike anything we've seen from Hawke before.
The 10 best performances of 2025 three critics, ten each, counted down 10 to 1
No. 10. Camille Rutherford anchoring a small French film that feels like a cozy-but-real '90s indie.
No. 10, the villain-corridor trio, part one: Rosamund Pike as a South African diamond princess going all the way with the accent.
No. 10, part two: Colman Domingo as a preposterous, charismatic bad guy in the great tradition of accomplished actors funding a new wing on the house.
No. 10, part three: Tobias Menzies, another utterly enjoyable villain who gets his one scene.
No. 10, comic relief part one: Conor O'Malley berating Tim Robinson in the garage, one of Sean's favorite things all year.
No. 10, comic relief part two: Danny Huston committing fully, funny opposite Pamela Anderson.
No. 9: Michael Cera, born for the Wes Anderson role, alongside his Running Man turn.
No. 9: Jack Quaid, both Meg Ryan incarnate and his own person, holding the movie's pathos and smarm.
No. 9 (swapped to avoid overlap): Chase Infiniti, a real comeback from the worst TV twist to a performance that takes the movie away from Penn, del Toro, and DiCaprio.
No. 8: Normani and Dominique Thorne in the rap-battle vignette, the best thing in a shaggy movie.
No. 8: Robert Pattinson taking the biggest voice swing; the movie didn't fully work but he did.
No. 8: Inga Ibsdóttir Lilleaas as Renate Reinsve's sister, the most real person in a movie full of celebrated actors.
No. 7: Tonatiuh as Luis Molina, handsome and charismatic in the William Hurt role, narrating nearly the whole film.
No. 7: Keke Palmer and SZA, whose chemistry Amanda wishes they'd franchise Bob-Hope-style.
No. 7, Josh O'Connor writ large, part one: a quiet, affecting turn Sean underlines.
No. 7, Josh O'Connor writ large, part three: a film Sean didn't care for but thinks O'Connor is good enough in.
No. 6: Odessa A'zion as Marty's childhood friend, funny and sexy and load-bearing for the plot.
No. 6: Tom Burke, the right amount of charming and amused among Blanchett and Fassbender, starting as villain and evolving.
No. 5 for Joanna, No. 3 for Amanda, part of Sean's O'Connor bundle: Josh O'Connor working through a Knives Out movie, the one Joanna will think about longest.
No. 5 (Amanda): Rebecca Ferguson in the best, first third, an un-flashy performance that sets impossible stakes.
No. 5 (Sean): Mariam Afshari as Shiva in the Panahi film, the best-written character and the deepest pain in the story, performed in secret.
No. 4: Guillaume Marbeck as Godard and Aubry Dullin as Belmondo, neither an actor before, Marbeck the one who carries it.
No. 4: Tramell Tillman and Katy O'Brian, the only two who seem to know what the movie should be, bringing levity to a film tied up in itself.
No. 4, part one: A$AP Rocky as pure charisma trading verses with Denzel.
No. 4, part two: Archie Madekwe as a Drake/Dijon-adjacent star, a well-observed study of power in a small room, and one of the year's coolest debuts.
No. 3: Dylan O'Brien in a dual role, a straight slacker and a mean gay twin, convincing at both.
No. 3 (Sean): Amanda Seyfried as a cult founder, all-in on the singing and the seriousness that make Mona Fastvold's movie work.
No. 2: Eva Victor, who wrote, directed, and stars, hitting serious, absurd, and devastating in one movie. A newly minted Golden Globe nominee.
No. 2, the two moms, part one: Rose Byrne, raw and recognizable.
No. 2, the two moms, part two: Jennifer Lawrence in an overlooked movie Amanda loved.
No. 2 (Sean): Lee Byung-hun in the Park Chan-wook satire, funny, desperate, sad, violent, and crazed, sometimes in one scene.
No. 2, Lee Byung-hun's other 2025 turn: the lead mountain demon.
No. 1 (Joanna and Amanda, shared): Jessie Buckley, who carries the film's final hour and whom Sean calls one of his favorite actresses alive.
No. 1 (Sean): Timothée Chalamet, self-confident on the trail, playing the wrestling-and-entertainment intersection the movie is built on.
In conversation
Written specifically for Wagner Moura, no plan B. Filho on shooting the St. Louis cinema like an actor, split-diopter shots borrowed from Blow Out and Close Encounters, and the Udo Kier sequence about identity and assumption.
The documentary/film essay that put him in the mood to write The Secret Agent; both are memory movies about Recife filmgoing.
His previous fiction feature, also with Udo Kier, and a touchstone for the genre-cinema and John Carpenter love.
His first feature, written in 2008 and shot in 2010; the film Wagner Moura saw before reaching out to work together.
A contemporary story where he'd already used split-diopter shots, a tool he says just went out of fashion.
Also mentioned raised along the way
Hamnet comps and Zhao's filmography NomadlandEternalsThe RiderThe Zone of InterestTrain DreamsShakespeare in LoveArrivalBabylon
Performance-round comps and other titles NovocaineSaltburnThe SouvenirFuriosa: A Mad Max SagaThe BoogeymanHereticLars and the Real GirlThe TerminatorBlood DiamondMamma Mia!Les MisérablesThe BrutalistSaturday NightKnives OutGlass Onion: A Knives Out Mystery
News and asides SupermanClose Encounters of the Third KindJurassic World RebirthBirds of PreyAvatarAvatar: The Way of WaterAvatar: Fire and AshWicked: For GoodThe DramaDream Scenario
Filho interview touchstones Jeanne Dielman, 23 quai du Commerce, 1080 BruxellesMy Own Private IdahoWake in FrightBlow OutCarrieThe OmenJawsThe Texas Chain Saw MassacreKiss of the Spider Woman
Not films filtered out: TV, games, ads
TV FrasierGame of ThronesHouse of the DragonNarcosThe BoysYellowjacketsSquid GameThe Book of Boba FettFalloutThe Crown
Podcasts What Do You Want to Talk About?
Ads Amazon PrimeStarbucks FrappuccinoCoca-ColaState FarmWhite Claw