Rough Night 2017
Aniello's studio debut, and the peg for Zoladz's Ringer profile.
The Big Picture · Discussion · Interview
June 16, 2017/ 52 min/ Sean Fennessey
Sean Fennessey talks to Ringer writer Lindsay Zoladz about profiling director Lucia Aniello, then sits down with Aniello and Paul W. Downs on writing Rough Night, the first R-rated studio comedy directed by a woman since 1998.
10 films across 2 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Profiling Lucia Aniellowith Lindsay Zoladz
Aniello's studio debut, and the peg for Zoladz's Ringer profile.
Tamra Davis directed it, the last R-rated studio comedy by a woman before Rough Night and an influence Aniello names.
Also Tamra Davis, who came up cutting music videos.
Penelope Spheeris's punk-underground documentary; Aniello cites her as a role model.
Spheeris's jump from documentaries to a big studio comedy.
Elizabeth Banks-directed and lucrative, but pitched at a PG-13 audience, the line Aniello wanted to cross.
Fey and Poehler's feature; Zoladz reads it as a throwback to wanting the big studio vehicle.
The Rough Night conversation
Bachelorette weekend, an accidentally dead stripper. Written on spec in the Obama era, released under Trump barely changed.
One of the male-centric comparisons the pair keep getting; they'd rather people just watch the movie.
Fennessey's example of the same outsized expectation that lands on any comedy by women.
Not films filtered out: TV, games, ads
TV / web series Broad CityTime Traveling BongSaturday Night Live
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