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Female-Powered Comedy With ‘Rough Night’ Creators Lucia Aniello and Paul W. Downs | The Big Picture (Ep. 16)

June 16, 2017/ 52 min/ Sean Fennessey

Sean Fennessey talks to Ringer writer Lindsay Zoladz about profiling director Lucia Aniello, then sits down with Aniello and Paul W. Downs on writing Rough Night, the first R-rated studio comedy directed by a woman since 1998.

10 films across 2 segments.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

Profiling Lucia Aniellowith Lindsay Zoladz

Rough Night poster

Rough Night 2017

Aniello's studio debut, and the peg for Zoladz's Ringer profile.

Half Baked poster

Half Baked 1998

Tamra Davis directed it, the last R-rated studio comedy by a woman before Rough Night and an influence Aniello names.

CB4 poster

CB4 1993

Also Tamra Davis, who came up cutting music videos.

Wayne's World poster

Wayne's World 1992

Spheeris's jump from documentaries to a big studio comedy.

Pitch Perfect 2 poster

Pitch Perfect 2 2015

Elizabeth Banks-directed and lucrative, but pitched at a PG-13 audience, the line Aniello wanted to cross.

Sisters poster

Sisters 2015

Fey and Poehler's feature; Zoladz reads it as a throwback to wanting the big studio vehicle.

The Rough Night conversation

Rough Night poster
Lucia Aniello & Paul W. Downs on

Rough Night 2017

Bachelorette weekend, an accidentally dead stripper. Written on spec in the Obama era, released under Trump barely changed.

The Hangover poster
Lucia Aniello & Paul W. Downs on

The Hangover 2009

One of the male-centric comparisons the pair keep getting; they'd rather people just watch the movie.

Bridesmaids poster
Lucia Aniello & Paul W. Downs on

Bridesmaids 2011

Fennessey's example of the same outsized expectation that lands on any comedy by women.

Not films filtered out: TV, games, ads

TV / web series Broad CityTime Traveling BongSaturday Night Live

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