Furiosa: A Mad Max Saga 2024
George Miller showed an eight-minute teaser and said he'd locked the movie days earlier. Sean had been worried by the trailer; the extended footage flipped him: a 20-year saga rather than Fury Road's three-day chase.
The Big Picture · Discussion · Review · Interview
April 12, 2024/ 154 min/ Sean Fennessey · Amanda Dobbins · Chris Ryan
Sean reports back from CinemaCon with the slate that got the loudest room, then he, Amanda, and Chris Ryan spoiler-talk Alex Garland's Civil War, and Sean sits down with Garland himself.
31 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The CinemaCon Reportthe slate Sean saw in Vegas
George Miller showed an eight-minute teaser and said he'd locked the movie days earlier. Sean had been worried by the trailer; the extended footage flipped him: a 20-year saga rather than Fury Road's three-day chase.
Bong Joon-ho's sci-fi with Robert Pattinson doing 'a real choice on the voice,' plus Steven Yeun and Mark Ruffalo. Sean read the January date as a head-scratcher: closer to Okja's zaniness than Parasite or Snowpiercer.
Robert Eggers being sold as commercial, 'Dracula's back and loving it.' The trailer withholds Bill Skarsgård but has seven or eight characters say 'he's coming.' Sean, admittedly in the bag for Eggers, called it the best-looking thing he saw.
Ty West's third Mia Goth movie; A24 wasn't at CinemaCon but the trailer ran parallel. Michelle Monaghan plays a cop, 'not since Gone Baby Gone.'
The noisiest room at CinemaCon, whole cast plus Tim Burton present. All practical effects, no CGI. Sean is skeptical Burton's made a good movie in 30 years but loved the 1984-1995 run.
Todd Phillips told the room he and Joaquin couldn't turn down another $500 million; elided whether it's a musical, saying music was 'essential' though the trailer shows no singing.
Kevin Costner showed an extended cut of part one and, per Sean, 'red-stated, blue-stated' his remarks to exhibitors. Sean is cold on another eight-hour two-part Western but can't wait to watch Costner sell it in public.
The talk of Vegas: Mike Fleming's 'bold and audacious' piece, then Kim Masters relaying studio chiefs walking out. Every studio person Sean spoke to said no way; something 'experiential' Coppola tried reportedly didn't land.
Sean's surprise of the show: Aziz Ansari's directorial feature, dropped by one studio and picked up by Lionsgate, with Keanu Reeves as the angel Gabriel, Seth Rogen, and Ansari. Ansari killed as a live presenter, 'the first actually good live entertainer' in four days.
Lee Isaac Chung's storm movie, 'looks like it rocks,' not much more to say.
The John Wick spinoff pushed to 2025 after Chad Stahelski came in and ordered five new action sequences. Set between John Wick 3 and 4; Keanu in the trailer.
A long extended clip and a full light show. Sean finds the fervor 'deeply puzzling': he thought the movie looked bad even as the room treated it like the second coming, discussed in the same breath as Beetlejuice for owning Thanksgiving.
Sean skipped the Disney presentation but flagged it against Wicked in November; reportedly no Lin-Manuel Miranda songs, and a live-action Moana with the Rock got pushed to 2026.
Cited as evidence the Disney live-action machine 'isn't really working anymore.'
Sean's favorite trailer of the show. M. Night Shyamalan's concert thriller with Josh Hartnett: a dad takes his daughter to a pop concert that turns out to be a police trap for a serial killer, who is revealed to be him. Sean thought the trailer gave away too much and loved it anyway.
The English-language remake of the 2022 Danish horror Sean and Chris loved, now with James McAvoy, Scoot McNairy, and Mackenzie Davis. Sean thinks the trailer spoiled 'every single thing.'
Edward Berger's papal-election thriller, with Ralph Fiennes, Stanley Tucci, and John Lithgow. 'Ornately costumed,' prestige-y, entirely inside the conclave walls. Amanda once had a papal-conclave blog.
The Michael Jackson biopic from producer Graham King (Bohemian Rhapsody, Argo), directed by Antoine Fuqua, written by John Logan. Jaafar Jackson stars, Colman Domingo as Joe Jackson, Nia Long as his mother, Miles Teller as the lawyer. Sean got the sense everyone in the room was relieved it'll make a billion dollars, 'which made me just ill.'
Scott Cooper's Bruce Springsteen movie about the making of Nebraska, with Jeremy Allen White. Sean thinks White is a good Bruce and will 'stand in the theater saluting' rather than sit; framed as the artier, riskier counterpart to Michael.
James Gunn's reboot with David Corenswet and Rachel Brosnahan; no footage shown. Sean's only note: Corenswet wore an Eagles sweatshirt at the presentation, 'if Superman wears an Eagle sweatshirt, I'll see it 500 times.'
Paramount and Disney showed 20 minutes on the day Sean left early; he chose to come home rather than spoil it, wanting to experience it pure.
The Cannes 2024 Lineupan unusually non-American slate
Paul Schrader's new film with Jacob Elordi and Richard Gere. The Elordi casting is what suddenly got Sean interested.
Yorgos Lanthimos's anthology, out in June after Poor Things. On the teaser alone Sean said 'Yorgos is back': people doing awful things to each other for two hours, more his Dogtooth register than Poor Things.
Ali Abbasi's (Holy Spider) Trump origin film set in the 1980s, with Sebastian Stan as Trump and Jeremy Strong as Roy Cohn. Sean wonders whether Trump is 'beyond cinematic depiction at this point.'
A new Cronenberg, 'always exciting for me.'
‘Civil War’with Chris Ryan and Bobby Wagner, full spoilers
Alex Garland's $50M A24 near-future war movie, with Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Jesse Plemons, and Nick Offerman, following journalists across a collapsed America. Chris calls it his favorite film of the year and 'the zenith of A24-core' filmmaking. Amanda: an amazing experience 'with basically no characters or ideas,' effective but maybe empty. The room argues whether an anti-war movie can survive its own thrills (the Plemons scene, the De La Soul shootout, the White House raid) and whether the Texas-California alliance and the withheld politics are provocation or evasion. Bobby's line: 'intellectually dumb and cinematically smart.'
In Conversation
Garland says the movie came out of anger more than anxiety, about polarization and about journalism losing trust as institutions became 'propagandists more than journalists.' He calls himself a centrist, defends withholding 'flags' (the Texas-California alliance is an inference, not a hole), and explains the De La Soul needle-drop as the assertion that keeps it from inadvertently being a pro-war movie.
Garland's debut, which the hosts and he both return to: a small, talky, cerebral movie with a 'bewitching' visual-effects heart. Sean argues it's a more successful film than Civil War.
Cited as part of Garland's episodic method: days inside the Shimmer, one transfigured encounter after another. Amanda's least favorite of his.
His previous film, the confined, mythic one; the group can't agree what its birthing-cycle ending means, which becomes the template for the 'is that it?' argument about Civil War.
Reached for as the earliest example of Garland's structure: a series of encounters, each one dispensing a little more information.
Also mentioned raised along the way
Touchstones in the Civil War talk Apocalypse NowPlatoonCome and SeeKillers of the Flower Moon20 Days in MariupolGoodfellasSaltburnPromising Young WomanAnatomy of a FallI Am LegendThe Book of EliThe Naked Gun: From the Files of Police Squad!
Also name-checked Mad Max: Fury RoadThe NorthmanOkjaSnowpiercerParasiteThe BeekeeperWar DogsBohemian RhapsodyArgoGladiatorThe AviatorBabylonHoly SpiderAll Quiet on the Western FrontGone Baby GoneHeaven Can WaitPoor ThingsDogtoothThe Wizard of OzOz the Great and PowerfulReturn to OzThe Zone of InterestDune: Part TwoAlien: RomulusPredator
Not films filtered out: TV, games, ads
TV RipleyDevsYellowstoneWednesday
Ads TremfyaBoar's HeadDuolingoThe Ringer NFL ShowFIFA World Cup Launch Edition (Netflix)