Good Will Hunting 1997
Amanda's pick. The 'retainer' job-interview scene, not the tearjerker ending: the supporting wise-ass that launched the Damon-Affleck unit and the Best Original Screenplay win.
The Big Picture · Discussion
March 15, 2019/ 45 min/ Sean Fennessey · Rob Harvilla · Amanda Dobbins
Sean Fennessey, Amanda Dobbins, and Rob Harvilla walk the whole uneven career of Ben Affleck: the breakthrough years, each host's personal pinnacle, and Triple Frontier as the latest chapter.
32 films across 4 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Breakthroughswhere Affleck arrived
Amanda's pick. The 'retainer' job-interview scene, not the tearjerker ending: the supporting wise-ass that launched the Damon-Affleck unit and the Best Original Screenplay win.
Rob's and Sean's pick. Affleck carrying a clunky, badly-aged Kevin Smith movie for nearly two hours, rain confession and visible cameraman included.
O'Banion, the paddle-wielding bully. Early proof he had no problem playing a shithead.
One of the supporting parts he took just to break in.
Shannon Hamilton, the villain bit part Rob calls one of the best of Affleck's career.
Personal pinnacleseach host's peak Affleck
Amanda's pinnacle (Rob floated it as a breakthrough too). Affleck accepting his blockbuster destiny: the moon-rover fumbling and singing 'Leaving on a Jet Plane' to Liv Tyler, ridiculous and half-winking, which is the good kind.
Rob's pinnacle. Peak asshole Affleck taking the Glengarry torch straight from Alec Baldwin: 'I am liquid.'
Rob's other pinnacle. Fincher weaponizing Affleck's blandly handsome self against him for two and a half hours; the shower scene lampoons Argo's.
Sean's pinnacle. First time he plays the earnest lead and fully lands it while directing, in an unfussy, mean, Eastwood-flat heist movie.
His directing debut; he stays behind the camera and puts brother Casey out front.
Best Picture, no Best Director nod. Sharp and tense but oddly forgettable next to the 'marriage is hard' acceptance speech.
Sarcastic, good, and supporting: the kind of role that suited him.
The tough stretchesbig swings, more misses
A bland leading-man Jack Ryan.
Not a bad movie, him and Samuel L. Jackson, but it landed at an awkward point in his stardom.
The first time he played a superhero and failed.
A literal manifestation of what was going on at the time.
The supposed serious comeback as George Reeves; Sean wants those hours back.
The best thing about a movie he can't rescue.
Ridiculous, fun, objectively terrible, and, Rob argues, a high-degree-of-difficulty near-Gigli he somehow walks away from upright.
His first directing job after Argo.
Joyless Batman, with no energy and no sign he can't wait to tell his kid about it.
As Amanda puts it, we don't need to talk about it.
Triple Frontier, and what's nextthe new thing
J.C. Chandor's macho men-on-a-mission jungle heist. A paunchy, worn, cracking-voiced Affleck playing fading masculinity: the role that fits where he actually is.
Dee Rees's Netflix Joan Didion adaptation, Anne Hathaway up front and Affleck in support: a wise step down from full-blown star.
Then titled Torrance, a Gavin O'Connor reunion after The Accountant.
Also mentioned raised along the way
In passing Glengarry Glen RossApollo 13MoneyballThe DescendantsMudboundPredatorFast & Furious Presents: Hobbs & Shaw
Not films filtered out: TV, games, ads
TV True DetectiveBosch
Music videos Jenny from the Block