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Barry Jenkins on 'If Beale Street Could Talk' and Life After 'Moonlight' | Interview (Ep. 107)

December 13, 2018/ 43 min/ Sean Fennessey

Sean Fennessey talks with Barry Jenkins about adapting James Baldwin's 'If Beale Street Could Talk,' the fallout from 'Moonlight' winning Best Picture, and the 10-hour 'Underground Railroad' shoot ahead of him.

13 films across 1 segment.

AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.

Barry Jenkins on 'If Beale Street Could Talk'

If Beale Street Could Talk poster
Barry Jenkins on

If Beale Street Could Talk 2018

The new film. Jenkins adapted the Baldwin novel on spec around 2013 and spent four years securing the rights; a New York of interiors, shot on the Alexa 65, with the ending shifted more hopeful than the book's.

Moonlight poster
Barry Jenkins on

Moonlight 2016

The Best Picture winner. Jenkins made its riskiest choices out of fear; Beale Street was the same instincts made with confidence.

Medicine for Melancholy poster
Barry Jenkins on

Medicine for Melancholy 2008

His $12,000 debut, at its 10-year anniversary. The only film Baldwin's estate had seen when it granted him the rights.

Claudine poster
Barry Jenkins on

Claudine 1974

One of two period reference films for capturing early-'70s Harlem.

Uptight poster
Barry Jenkins on

Uptight 1968

The other period New York reference.

Selma poster
Barry Jenkins on

Selma 2014

Where Jenkins had seen Stephan James as John Lewis, which made him hesitate to cast him as Fonny.

Race poster
Barry Jenkins on

Race 2016

James as Jesse Owens, the other 'too refined' role Jenkins had to put him through the ringer to get past.

Y Tu Mamá También poster
Barry Jenkins on

Y Tu Mamá También 2001

The first film Jenkins saw at a festival, in film school; why he wanted Diego Luna, who said yes to a 45-second part.

Straight Outta Compton poster
Barry Jenkins on

Straight Outta Compton 2015

Casting director Cindy Tolan discovered Jason Mitchell (Eazy-E) here, cited as proof of her instincts.

Malcolm X poster
Barry Jenkins on

Malcolm X 1992

Jenkins joking about James's trajectory: 'Spike made the Malcolm X, and it is the Malcolm X.'

Border poster
Barry Jenkins on

Border 2018

One of two foreign films Jenkins caught back-to-back at the Arclight on midterm election night.

Burning poster
Barry Jenkins on

Burning 2018

The other; the sequence scored to Miles Davis's 'Elevator to the Gallows' is 'the kind of thing that makes you jealous.'

Elevator to the Gallows poster
Barry Jenkins on

Elevator to the Gallows 1958

The Louis Malle film whose Miles Davis score is reused in that Burning sequence.

Also mentioned raised along the way

Teased for tomorrow's episode Spider-Man: Into the Spider-Verse

Not films filtered out: TV, games, ads

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