The Little Things 2021
Jared Leto's second nomination for it: Golden Globe, now SAG. Sean and Amanda can't fathom what in the film merits an award, and wonder whose slot he took (Sound of Metal's Paul Raci among the casualties).
The Big Picture · Discussion · Interview
February 5, 2021/ 89 min/ Sean Fennessey · Amanda Dobbins
The SAG and Golden Globe nominations get strange (Jared Leto, twice), a GameStop-fueled bubble briefly 'saves' AMC, and Sean, Amanda, and Adam Naiman count down what they liked at a virtual Sundance.
23 films across 2 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Awards Season Has Gone CuckooSAG nominations, the GameStop bubble, and HBO Max's day-and-date bet
Jared Leto's second nomination for it: Golden Globe, now SAG. Sean and Amanda can't fathom what in the film merits an award, and wonder whose slot he took (Sound of Metal's Paul Raci among the casualties).
SAG went for both Glenn Close and Amy Adams. 'This movie was made so that this could happen.'
Overlooked at the Globes, better here: Steven Yeun, Youn Yuh-jung, and a Best Ensemble nod. Reaches theaters the 12th, then VOD.
Two straight snubs for Delroy Lindo; the film landed a Best Ensemble nod. Sean's theory: a summer release fading before awards season.
Led the Globe nominations but missed Best Ensemble here. Amanda Seyfried's omission surprised them; a movie about directors and writers may just not move actors.
Olivia Colman in supporting, good work, but it reads to Amanda like a 'she's the good hang' vote versus the unknowns (Youn Yuh-jung, Helena Zengel).
Day-and-date on HBO Max; not a critical favorite but it drove the service past 40 million activated users, which is all HBO Max wanted.
HBO Max streaming movie with Anne Hathaway and Chiwetel Ejiofor, Doug Liman and Steven Knight behind it. More quality than Sean expects from straight-to-streaming, though the quarantine setting is an asterisk.
The Best Movies at SundanceSundance 2021, virtual edition
Sold to Apple for a record $25 million and swept four of six U.S. Dramatic prizes. The trio finds it the most 'fine,' formulaic Sundance movie imaginable, and Amanda cried anyway. Sian Heder directs.
Rebecca Hall's directorial debut, sold to Netflix for ~$16M. Adapted from Nella Larsen's 1929 novel; Tessa Thompson and Ruth Negga star. Adam: a real filmmaker, sound design and all.
Adam's top pick: Ben Wheatley in the woods during a vaguely-defined pandemic. Too long at 110 minutes, but the strobe-and-EDM freakout is the one movie all three wished they'd seen in a theater. Not an Amanda movie.
Amanda's pick: Nanfu Wang's COVID documentary. The on-the-ground China footage, much of it later censored, is what she can't shake; the American-failure material feels rushed.
Edgar Wright's documentary on the L.A. duo. Way too long and too devoted to its subject, which Sean kind of loves. The brothers stay unknowable even after two-plus hours on camera.
Shaka King's docudrama on the FBI and Fred Hampton, a serious grown-up movie sitting oddly in the awards race. All three rate it well above Trial of the Chicago 7 on similar terrain. Sean and Amanda tackle it next week.
Debbie Lum's doc on college-admissions anxiety at a predominantly Asian American high school. One of three vérité high-school films Sean groups together.
Peter Nicks's third Oakland film: high school where social activism collides with the students. Sean's kind of movie, alongside Boys State and Minding the Gap.
Isabel Bethancourt and Parker Hill on three young Texas women in the fever-dream summer after high school.
Theo Anthony's essay documentary on body cameras and the weaponization of being watched. The most fully realized thing Sean saw, if not the most commercial. Adam missed it and regrets it.
Rodney Ascher on simulation theory: all white guys of a certain age, which Adam reads as the actual subject. Eerie to watch mid-GameStop; Ascher's refusal to supply a counterpoint is the point.
Camilla Nielsen's doc on Zimbabwe's post-Mugabe election (Chamisa vs. Mnangagwa). Amanda and Sean both watched it like a thriller. Still unsold, the kind of thing a savvy distributor should grab.
Jane Schoenbrun's film about a teenage girl in an online creepypasta game, the only thing Adam forgot he was watching. Specific rather than universal, which is why it feels large.
Fran Kranz's debut: two couples on opposite sides of a school shooting. Stagey but cinematic, with Jason Isaacs, Ann Dowd, Martha Plimpton, and Reed Birney. Sean's under-loved standout.
Amanda's favorite: Questlove's directorial debut on the 1969 Harlem Cultural Festival. Half unseen concert footage (Stevie Wonder, Nina Simone, Mavis Staples, the Fifth Dimension), half context that enlivens it. A big acquisition feels inevitable.
Also mentioned raised along the way
In the awards talk The Trial of the Chicago 7On the RocksMa Rainey's Black BottomOne Night in Miami...Sound of MetalBorat Subsequent MoviefilmNews of the WorldAmmonite
Coming in February NomadlandThe United States vs. Billie HolidayMalcolm & Marie
GameStop reading list Margin CallBoiler RoomThe Big Short
The streaming slate ahead Godzilla vs. KongZack Snyder's Justice LeagueMortal KombatTom and JerryTrolls World TourSoulHappiest Season
Other Sundance titles On the Count of ThreeJohn and the HolePrisoners of the Ghostland
Filmographies and touchstones RebeccaOne Child NationRat FilmRoom 237The NightmareNewlyweedsThe Cabin in the WoodsBoys StateMinding the GapThe Miseducation of Cameron PostMe and Earl and the Dying GirlBarton FinkMangrovePalm SpringsClose Encounters of the Third KindThe Matrix
Not films filtered out: TV, games, ads
TV WandaVisionThe Crown
Games FIFA World Cup Launch Edition
Podcasts Table MannersJam Session
Ads NetflixBoar's HeadBotoxSam's ClubAthletic Brewing