Trolls World Tour 2020
The PVOD experiment that started the fight: Universal put it out to premium rental in April with theaters shut and bragged about the numbers, which set off Adam Aron at AMC.
The Big Picture · Discussion · Hall of Fame
August 4, 2020/ 57 min/ Sean Fennessey · Amanda Dobbins
Sean and Amanda on the AMC-Universal deal that cut the theatrical window to 17 days and a theater business that was already breaking, then Bradley Cooper joining PTA's next film, a scaled-back fall festival season, and Seth Rogen in An American Pickle.
44 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Are movie theaters screwed?the AMC-Universal deal and a business that was already breaking
The PVOD experiment that started the fight: Universal put it out to premium rental in April with theaters shut and bragged about the numbers, which set off Adam Aron at AMC.
On the run-through of Universal's 2020 releases. Sean's word for it: preposterous.
A little-seen Universal horror release from January.
Another Universal 2020 title they'd covered on the show.
Universal's one real 2020 hit. Amanda points out its late run overlapped the first lockdown, which muddies the box-office read.
On the Universal 2020 slate.
The Judd Apatow/Pete Davidson film, and the one Universal title Sean thinks might have earned a run past 17 days.
The Kevin Bacon horror movie on Universal's slate.
The tentpole counterexample: makes more in theaters than at home, so it isn't going to PVOD after two and a half weeks.
Nia DaCosta's remake of the 1992 film, produced by Jordan Peele, then dated for October 16 to land near Halloween.
The Disney+ gorilla movie with Bryan Cranston. Sean's example of a kids' film with no real difference between the theater and the couch.
The Nolan release everyone's watching as the test of whether a movie can open into a reduced theater count.
Croods 2, which Universal kept on the calendar: a known kids property with a built-in audience, basically Trolls World Tour.
The original, then on Netflix. Roger Deakins gave it visual-consultant help, a fact Amanda got mocked for citing on the Deakins episode.
The Tom Hanks/Paul Greengrass awards title Universal moved off 2020.
Delayed to 2021 (it finally landed in 2022) to hold out for a full theatrical release. Universal clearly values Despicable Me more than Croods.
Ben Wheatley's remake of the Hitchcock film with Armie Hammer, Lily James, and Kristin Scott Thomas. Sean's new most-anticipated, now expected at home.
Bradley Cooper, PTA, and Bernsteinthe week's casting news: Cooper joins Paul Thomas Anderson's untitled 1970s Valley film, then directs a Leonard Bernstein biopic
Cooper's directorial debut and the prestige swing they both defended. The move that keeps pushing him up the movie-star hierarchy.
The movie that made Cooper famous and the thing he's spent a decade trying to graduate from, studying Eastwood and Pacino to do it.
A scaled-back fall festival seasonTelluride, New York, and Toronto, all smaller this year
One of last year's stacked Telluride world premieres, cited to show how much slighter the 2020 slate looks.
Another 2019 Telluride world premiere in the comparison.
Part of last year's Telluride lineup.
A 2019 Telluride premiere.
Its Telluride North American premiere rounded out a full 2019 slate.
Francis Lee's Kate Winslet/Saoirse Ronan drama, on both the Telluride and TIFF lists. Neon has it, and Sean's not sure whether it goes to a window or straight home.
Florian Zeller's dementia drama with Anthony Hopkins, which Sean saw at Sundance and expects to see nominated.
Chloé Zhao's Frances McDormand film, getting a Telluride drive-in premiere on September 11 despite the festival being canceled.
Wes Anderson's film, pulled off the calendar entirely. The kind of title whose absence shrinks the whole season.
Netflix's Fincher film, the sort of movie a studio holds back for the biggest possible platform.
Last year's New York Film Festival opener, set against this year opening on a TV episode.
Steve McQueen's last feature, which Amanda insists was under-discussed.
Among the TIFF titles announced.
A Sundance movie Sean missed even after 25-plus films there.
Miranda July's new film, another Sundance title now heading to VOD in September.
Amy Seimetz's film, well-timed to the apocalyptic mood, and to next week's top-five episode.
Rest in peace, Wilford Brimley
An American PickleSeth Rogen times two, on HBO Max
Rogen plays a man brined for 100 years and his great-grandson. Charming and sentimental, with a hard-left third-act turn into Trump-era social media that Amanda didn't see coming but liked. Based on Simon Rich's 2013 story 'Sellout.'
The Hal Ashby comparison: a naïf everyone projects onto.
Sean's case for an underrated Rogen high-concept, cued up ahead of the apocalypse-movies episode.
The last Rogen lead they both liked.
The last time before this that Rogen carried a movie as the protagonist.
A big Point Grey hit, produced rather than led.
Also mentioned raised along the way
One actor, two roles Dr. StrangeloveThe Parent TrapAustin Powers: International Man of MysteryComing to AmericaThe Nutty ProfessorThe Social NetworkAdaptation
In passing Once Upon a Time in HollywoodThe Devil All the TimeFour Weddings and a FuneralHow to Train Your DragonMean Girls
Not films filtered out: TV, games, ads
TV Small AxeLover's RockSuccessionPreacherArrested DevelopmentInside the Actors Studio
Podcasts The RewatchablesTeam Deakins
Ads Blue Moon