Joker 2019
Golden Lion winner; Sean's read is a Taxi Driver riff by way of Todd Phillips. Neither host has seen it, but they note the Academy already rewarded the character once, via Heath Ledger.
The Big Picture · Discussion · Interview
September 10, 2019/ 88 min/ Sean Fennessey · Amanda Dobbins
The Oscars-show edition: Joker takes Venice's Golden Lion, Toronto sorts the contenders from the also-rans, and the Best Supporting Actress field fills up. Then director Andy Muschietti and, separately, Jason Concepcion on It Chapter Two.
55 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
Joker Wins the Golden LionVenice and the early Oscar noise
Golden Lion winner; Sean's read is a Taxi Driver riff by way of Todd Phillips. Neither host has seen it, but they note the Academy already rewarded the character once, via Heath Ledger.
The 70s touchstone the hosts keep comparing Joker to.
Roman Polanski's Silver Lion winner, awkward for an Academy that expelled him.
One of only two recent Golden Lion winners to become a Best Picture nominee.
The other; the pair cite both as evidence Venice may be turning into a bellwether.
The reactionary-vote precedent they keep circling back to.
Reading the Toronto Tea LeavesTIFF, secondhand
Taika Waititi's anti-hate satire; a mixed, faintly disappointed reception, though Scott Feinberg noted audiences liked it more than critics.
Tom Hanks confirmed as a supporting player; a warm-hug movie with audience-award appeal.
Rian Johnson's Agatha Christie romp, loved by everyone because no awards weight is on it.
Eddie Murphy in caps; a Netflix quality play, and Wesley Snipes is back.
The festival's most popular title, carrying the weight of being the biggest darling in Toronto.
Big rapture for Adam Driver and Laura Dern; Amanda refuses to read the tweets until she sees it.
Warmly received in the same TIFF wave.
Lorene Scafaria's adaptation of Jessica Pressler's stripper-heist piece; the story is J-Lo.
The unflashy Netflix crowd-pleaser Sean thinks gets the streamer over the hurdle. Also: pizza.
Cited in the Netflix-vs-theaters standoff; the Scotiabank Cineplex wouldn't screen streaming films.
The two-month obsession now resting quietly on the sidelines.
The Best Supporting Actress Fielda lot of real people in the mix
J-Lo's vehicle; Sean argues supporting is her lane, with Constance Wu the actual lead.
Annette Bening as Dianne Feinstein; a transformation, if not her best, from an actress who's never won.
Laura Dern, clearly modeled on a real person, whether or not she's a hero.
Margot Robbie, another real person, with real Academy affection behind the movie.
Zhao Shuzhen as Lulu Wang's grandmother, the kind of older-actress role the Academy tends to surface late.
Caitriona Balfe stuck with the underwritten traditional-wife role; if Claire Foy didn't get in, no one should for it.
Jennifer Hudson singing Memory, and Judi Dench, why not.
Nicole Kidman in a film that got dunked on harder than anything in a while.
Maggie Smith, who won't even show for the Emmys, so an Oscar campaign seems unlikely.
Meryl Streep in a bucket hat. Respect the bucket hat.
The big unknown; Saoirse Ronan the presumed lead, everyone else fair game.
Anne Hathaway on the long-shot list.
Margot Robbie possibly canceling herself out here while she cancels others.
Ruth Negga, loved by Sean but without the screen time to warrant it.
Scarlett Johansson potentially running against herself, this and Jojo Rabbit against her Marriage Story lead.
Andy Muschietti on It Chapter Two
The 2h49m conclusion; Muschietti on the clubhouse he finally got to build, Paul Bunyan (King's request), the upside-down blood set, and casting Peter Bogdanovich as the on-set director.
The Spielberg-reshot-after-release model for his dreamed six-hour supercut.
The recent film that wowed him; he loves Ari Aster's savage streak of humor.
Jason Concepcion on It Chapter Two
Concepcion found it a slog: a three-hour therapy metaphor with a CGI crab clown, saved mainly by Bill Hader; the sequential character arcs deliver the same scene six times.
He liked chapter one more; the jump scares and Stand-by-Me coming-of-age vibe worked.
His King non-horror favorite; gets the one-special-summer feeling right.
The other King adaptation he ranks at the very top.
Unfaithful to the book but nails the vibe and the metaphor of madness.
The King horror adaptation he thinks really works, off-charts Sissy Spacek and a shock ending.
Invoked via the addiction context; King has said he doesn't remember writing it.
James McAvoy's star wattage, part of the point about a cast credibility gap.
Concepcion's parting note: just rewatched it, Adam Driver kicks ass, both high on the hosts' list.
Also mentioned raised along the way
Comparisons and precedents The Grand Budapest HotelCan You Ever Forgive Me?Three Billboards Outside Ebbing, MissouriFirst ManThe Hangover Part IIIIndiana Jones
Not films filtered out: TV, games, ads
TV BarryThe WireOutlanderGame of ThronesSaturday Night LiveFamily GuyIt (1990 miniseries)
Podcasts The Hottest TakeBinge ModeTea Time
Web series NBA Desktop
In development The FlashAttack on Titan