The Further Misadventures of Cliff Booth 2026
Trailer dropped online. Sean: a David Fincher movie with Tarantino gags.
The Big Picture · Discussion · Interview · Rankings · Review
September 22, 2026/ 131 min/ Sean Fennessey · Amanda Dobbins
News, Adam Naiman's TIFF dispatch, the first monthly Best Picture power rankings, and Zach Cregger on 'Resident Evil.'
42 films across 5 segments.
AI-generated This episode was transcribed and analyzed with AI models. The matches aren't perfect — expect the occasional misheard title or a link to the wrong film.
The News
Trailer dropped online. Sean: a David Fincher movie with Tarantino gags.
Brad Pitt dog movie they'll cover next week.
Jeremy Saulnier's next, teased with a Blair Witch-style surveillance clip and a runlikehell.com countdown; previously titled 'October.'
A24 surprise-release play for the fall.
Greta Gerwig's version, moved to 1950s London with a rock-opera vibe; Meryl Streep as Aslan. Feb 12, wide.
Adam Naiman's TIFF report
People's Choice Award winner, first Netflix film to take it. Los Javis won Best Director at Cannes.
International PCA winner. Andrew Scott performance buried under over-cut direction in the home stretch.
Sandra Wollner. Adam's favorite by a mile; mysterious, After Sun-adjacent (same cinematographer). Germany's Oscar submission.
Lee Chang-dong. Closer to 'Burning' than 'Parasite'; strong second half, odd audience laughter.
Beth de Araújo, with Channing Tatum and Gemma Chan. Mixed on the literal haunting; applause breaks it wasn't built for.
Josh Ruben-ish slasher, ~$8M to Blumhouse/Universal. Jessica Rothe and Jane Levy; the one genre film Adam liked.
Jordan Firstman. Sean and Amanda are in the bag; Adam finds it effective but shallow and self-flattering.
Peter Farrelly. Prohibitive PCA favorite, came in second. Craft-of-acting piece; Tracy Letts as the studio guy.
2026 Best Picture Power Rankingsthe first monthly edition, best to worst
‘Resident Evil’
$60M domestic / $108M global, Cregger's biggest opening. Amanda: 'a really sick movie for the sickos.' Austin Abrams absolutely electric, the shot-a-girl-in-the-face beat the standout.
Zach Cregger on ‘Resident Evil’
Shot nocturnal in the Czech Republic; storyboarded ~97% in advance, rebuilt the lab attack in prep. He reshot the typewriter and the point-blank shotgun beat to get the muzzle flash in frame.
He went straight from its edit into this; found Abrams there and cast him off that chapter.
His next, written alongside Resident Evil; the 'tombstone' movie he refuses to jump ahead of.
Amat Escalante; the point-blank shotgun kill he was chasing in Resident Evil.
Romero not lecturing about Vietnam and race as the model for not over-explaining theme.
Also mentioned raised along the way
Other Best Picture contenders named ArtificialDiggerFatherlandMichaelTender Loving CareSense and SensibilityWerewolfWildwood
Cregger's tonal touchstones (the 'three max') Back to the FutureDie HardHome AloneAfter HoursFargoEvil Dead 2
Awards-season comparisons Three Billboards Outside Ebbing, MissouriGreen BookThe Shape of WaterMoonlightWhere Do We Go Now?Emilia PérezOnce Upon a Time in HollywoodCold WarDrive My CarToni ErdmannAnoraF1Empire of LightA Real Pain
In passing AftersunBurningParasiteThe Boss BabyCha Cha Real SmoothNirvanna, the Band, the Show, the MovieThe Blair Witch ProjectThey LiveThe ExorcistExorcist II: The HereticBoorman and the Devil
Not films filtered out: TV, games, ads
Video games Resident EvilMinecraft
TV 60 MinutesThe Studio
Podcasts The Press BoxThe Rewatchables
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